Banner Image 1
Banner Image 2
Banner Image 3
Banner Image 5
Banner Image 6
Banner Image 7
Banner Image 8
Banner Image 4
PROGRAMME
2   novembre   > 2   décembre   2017
IMMANENCES
Arnaud Pirault

6   > 25   novembre   2017
UNSAID, UNSEEN, UNDEAD
Diederik Peeters

13   novembre   > 9   décembre   2017
TUMULTE
Les soeurs H

21   novembre   2017
GENDERS & TRADITIONS
Arco Renz, Intan Paramaditha, Norman Erikson Pasaribu, Isabelle Bats & Sophie Aujean (mod.)

23   > 24   novembre   2017
REMEMBERING 1918: EAST AND CENTRAL EUROPEAN MODERNITY REBUILDING IN PERFORMING ARTS
Prof. D. Kosinski, I. Popovici, J. Lesnierowska, J. Pavlisova, A. Seijko & D. Krocanova

28   novembre   > 2   décembre   2017
ON PREND DES MORCEAUX DE RÉEL ET ON SE LES PASSE
Antoine Defoort, Julien Fournet & Hans Bryssinck

4   > 16   décembre   2017
RATER ENCORE. RATER MIEUX (TITRE PROVISOIRE)
Hervé Piron & Eno Krojanker

9   décembre   2017
LES PETITS GOÛTERS DE LA POÉSIE
Marie Henry & Olivia Sautreuil

15   décembre   2017 > 13   janvier   2018
LA FACE B SIDE
SIMON SIEGMANN



Lettre d'information
Votre Email:

20   octobre   2017
16:00 > 19:00
CCR :
IMAGINARY MACHINES/ DANAE THEODORIDOU
www.danaetheodoridou.com

Cette activité se déroule en anglais.

Imaginary Machines - a workshop on social imaginaries for professionals (artists of performing and visual arts, dramaturges, performance theorists etc.) and non-professional audience (people with no art background interested in the arts)

In the frame of her three-year-long artistic research on social imaginaries, the performance maker and researcher Danae Theodoridou invites participants in a workshop that aims to challenge our capacity to imagine our social coexistence and the ideas that underlie our expectations in relation to it. Through a series of performative tasks that involve thinking, speaking, writing and making, the workshop attempts to shift established modes of thinking and explore processes that might be able to contribute to the emergence of social and political alternatives. 

Application process: The workshop is offered free of charge. Early booking is recommended due to limited capacity (8-12 people max). To apply please send an email including your name, short bio (150 words) and a short paragraph explaining why you are interested to participate in the workshop (max 300 words) to: accueil@bellone.be by Tuesday 17th October 2017.

Danae Theodoridou is a performance maker and researcher based in Brussels. She studied literature and linguistics in Aristotle University of Thessaloniki and acting in the National Theatre of Northern Greece. She completed her practice-led PhD at Roehampton University in London. The last three years her artistic work focuses on the notion of social imaginaries. In this frame, she created One Small Step for a Man: Hello, Goodbye (2015), Earth in 100 Years (2016) and Something Dreamy (2016). In 2017 she continues this research with the support of the Flemish community. At the same time, Danae teaches in various university departments and art conservatoires of theatre and dance in Europe, curates practice-led research projects and publishes her research work internationally. She has been the co-creator of Dramaturgy at Work (2013-2016) and the co-author of The Practice of Dramaturgy: Working on Actions in Performance (Valiz, 2017). 

Réservation souhaitée
Entrée Libre

CE QU'EN DIT LA PRESSE
MARS 2015

- Personnalités
- Spectacles
- Cies, théâtres, lieux
- Politique culturelle
- Nominations, festivals, formation, prix, autres arts, et encore...

ARCHIVES

CENTRE DE DOCUMENTATION THÉÂTRE
- Intervenants
- Spectacles
- Lieux de représentations
- Festivals
- Compagnies belges
- Guide d'adresses

SAISON THÉÂTRALE 13-14
Les intervenants
- Comédiens
- Auteurs
- Metteurs en scène
- Scénographes

Dans les théâtres de Bruxelles et Wallonie, ce soir...


liste détaillée: ici

AU THÉÂTRE CE SOIR
(Bruxelles et Wallonie)

AU SECOURS DE LA NUIT
CENTRE CULTUREL DES RICHES-CLAIRES

LES CHATOUILLES OU LA DANSE DE LA COLÈRE
LA VÉNERIE - CENTRE CULTUREL DE WATERMAEL-BOITSFORT

SHOULD I STAY OR SHOULD I STAY
LA BALSAMINE